ESSAYS

THE PARACHRONIES OF TZLIL MEUDCAN 2023

Juli 18, 2023
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Review
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MIN

Quiccritique of the 2023 edition of Tzlil Meudcan Festival Tel Aviv under the topos of the voice

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PHILOSOPHY OF MUSIC FROM AESTHETIC REASON

Juli 09, 2023
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Philosophy
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30
MIN

Philosophy of music can only succeed by reflecting upon the state of new music and binding itself to the aesthetic judgment. Philosophy thinks musical production, musical reproduction and musical reflection within the horizon of the autonomy of sound; within the horizon of music’s being different from all heteronomies; within the horizon of its freedom.

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THREE PARADOXES OF CONTEMPORARY MUSIC

Juli 09, 2023
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Critique
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15
MIN

The notion of a musical installation contains three paradoxical desires: the paradox of creating situations, the paradox of static sounds and the paradox of a musical performance art. These ideas are intelligible non-sense, and yet they can become legitimate intentions of an artistic procuction.

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MARY MELTING MEDIATION BAUERMEISTER

März 10, 2023
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Critique
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MIN

Mary Bauermeister represented what is missing in the ever-turning carousel: We need to establish contexts that are independent of both, culture-industry and the state, in which music can be played, performed, developed, discussed and criticized. We mourn Mary Bauermeister, grandmother of Fluxus, melting pot of the arts.

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THE LEGACY OF POLITICAL MUSIC

März 10, 2023
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Interview
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10
MIN

The composer and pianist Frederic Rzewski died on June 26th, 2021. In this conversation, Rzewski, towards the end of his life, was able to conceive of himself as a symptom and to reflect on the legacy of political music around the revolt of 1968, its potentials, limitations, and ultimately, its failure. As a representative of a generation of political musicians, he gave an account of its legacy.

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WHEN FATE CROWS AND NOBODY CAN HEAR IT

Januar 09, 2023
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Critique
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30
MIN

This article discusses the work of Viennese artist Georg Nussbaumer (1964) in the constellation of contemporary questions of media and material and historical consciousness in music. Transforming the coordinates of traditional musical work, the essay suggests Nussbaumers work as mixed martial arts instead of multi media art.

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